The tween layer has a tween icon next to the layer name in the Timeline. When you create a motion tween, Animate converts the layer containing the object you selected to tween into a tween layer. You can use one layer as a background layer to contain static artwork and use additional layers to contain one separate animated object. To create animation that includes tweened movement of more than one symbol or text field at once, place each object on a separate layer. Organizing them in layers and folders prevents them from erasing, connecting to, or segmenting each other when they overlap. Use layers and layer folders to organize the contents of an animation sequence and separate animated objects. These frames have a vertical black line and a hollow rectangle at the last frame of the span.Ī small a indicates that the frame is assigned a frame action with the Actions panel.Ī red flag indicates that the frame contains a label.Ī green double slash indicates that the frame contains a comment.Ī gold anchor indicates that the frame is a named anchor.Įach scene in a Animate document can consist of any number of Timeline layers. Light gray frames after a single keyframe contain the same content with no changes. Animate interpolates the positions of the armature in the frames in between poses.Ī black dot at the beginning keyframe with a black arrow and blue background indicates a classic tween.Ī dashed line indicates that the classic tween is broken or incomplete, such as when the final keyframe is missing.Ī black dot at the beginning keyframe with a black arrow and a light green background indicates a shape tween.Ī black dot indicates a single keyframe. Each pose appears in the Timeline as a black diamond. Pose layers contain IK armatures and poses. The tween span still contains its property keyframes and can have a new target object applied to it.Ī span of frames with a green background indicates an inverse kinematics (IK) pose layer. All other frames in the span contain interpolated values for the tweened properties of the target object.Ī hollow dot in the first frame indicates that the target object of the motion tween has been removed. Animate displays all types of property keyframes by default. You can choose which types of property keyframes to display by right-clicking (Windows) or Command-clicking (Macintosh) the motion tween span and choosing View Keyframes > type from the context menu. Property keyframes are frames that contain property changes explicitly defined by you. Black diamonds indicate the last frame and any other property keyframes. A black dot in the first frame of the span indicates that the tween span has a target object assigned to it. Quick share and publish your animationsĪ span of frames with a blue background indicates a motion tween.Best Practices to optimize FLA files for Animate.Best practices - SWF application authoring guidelines.Best practices - Tips for creating content for mobile devices.Controlling external video playback with ActionScript.Export graphics and videos with Animate.Working with Custom Platform Support Plug-in.Best practices - Accessibility guidelines.Best practices - Organizing ActionScript in an application.Publishing AIR for Android applications.How to package applications for AIR for iOS.Creating and publishing a WebGL document.Automating tasks with the Commands menu.Apply patterns with the Spray Brushtool.Working with Illustrator AI files in Animate.Working with Adobe Premiere Pro and After Effects.Strokes, fills, and gradients with Animate CC.Creating and working with symbol instances in Animate.Transforming and combining graphic objects in Animate.Optimization options for Images and Animated GIFs.Export animations for mobile apps and game engines.Using web fonts in HTML5 Canvas documents.Use the Stage and Tools panel for Animate.Using Creative Cloud Libraries and Adobe Animate.Using Google fonts in HTML5 Canvas documents.Virtual Reality authoring and publishing.Best practices - Advertising with Animate.Add interactivity with code snippets in Animate.Create and publish HTML5 Canvas documents in Animate.Convert Animate projects to other document type formats.How to use mask layers in Adobe Animate. Working with Motion tweens saved as XML files.Editing the motion path of a tween animation.How to edit motion tweens using Motion Editor.How to work with classic tween animation in Animate.How to use frames and keyframes in Animate.Work with Multiple File Types in Animate.
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A court order will also be required to change the father who is listed on a birth certificate. Refer to the California Department of Public Health pamphlet Amending a Birth Certificate After A Court Order Name Change (PDF) for complete information. A court order will be required to change the child's name. Refer to the California Department of Public Health pamphlet Affidavit To Amend A Birth Record (PDF) for information about birth certificate amendments. Incorrect information that appears on a birth certificate can be amended, including spelling errors, parent data, and hospital errors. Oroville CA 95965 Birth Certificate Amendments Complete the Birth Certificate Application (PDF), have the applicant's signature notarized by a Notary Public, include a check or money order for the fee and mail it to:īutte County Public Health Vital Records Office The certified birth certificate will be printed while you wait.Ĭertified birth certificates can also be ordered by mail. You will be asked to complete the Birth Certificate Application (PDF) and pay the fee. Please note: To obtain a birth certificate after the age of two, you will need to contact and obtain the certificate from the Butte County Clerk Recorder.īirth certificates can be ordered in person at the Public Health Vital Records Office. Obtain a Certified Copy of a Birth Certificate Access the Birth Certificate Application (PDF). Birth Certificates can be purchased at the end of the appointment. Public Health staff will contact the parents to set up an appointment to register the child. Midwives will complete the Midwife Only Packet (PDF) and fax it to the Pubic Health Vital Records Office within three days of the birth. Attended Home BirthsĪttended Home Births attended by a state-licensed midwife must be registered within the first year of birth. Complete the Butte County Vital Records Out of Hospital Application Package (PDF) and contact the Vital Records Office for an appointment. Unattended Home Births can be registered by the parents within the first year of birth. Unattended Home Births (Unattended by a Medical Professional) All births that occur in Butte County hospitals are registered by Public Health Vital Records Office within 10 days. Current workaroundĪt the moment, every time I want to use such a character I have to copy it from a list. I am able to use the Alt Gr key sometimes with the shift key as well to obtain other characters like these so have a. It would facilitate the working with Unicode enormously if it were possible to implement a workflow like I have described for LibreOffice above. In LibreOffice it is possible to type the Unicode code of a desired character (without U+) and then press ALT+X in order to convert the code into the corresponding character. special characters that should ever be used in file or folder names. I have collected the Unicode code of all the characters I use most of them I already can memorize. When working on Windows and on a keyboard without numeric keypad the option to press ALT and then a specific code on the numeric keypad does not work (and this is in general only a workaround, the “pure” Unicode code is always the best solution for interoperability). In Obsidian, it is not yet possible to enter Unicode characters in a handy and quick way. In my everyday work, I use different Unicode characters (e.g. Special characters English writer, special, keyboard, shortcut, macro, character, libreoffice-360 mouflon June 26, 2012, 10:22am 1 Is it possible for a LibreOffice (I’m using 3.6.0.0. This function allows you to insert special characters, such as check marks, boxes, and telephone symbols, into your text. It has the perfect letter design look for crafting titles for wedding invitations. Willsa is a romantic font you can use for your Valentine’s Day, wedding, and other romance-themed designs. It features a creative handwriting-style letter design as well. You can use it in your personal, commercial, and client projects without any attribution. This beautiful brush script font is completely free to use. You can use it freely with personal projects. It features a stylish monoline letter design that will look amazing on business cards, letterheads, and logo designs. If you’re looking for a font to design beautiful signature-style typography, this free font will surely come in handy. It’s ideal for crafting unique titles for brand advertisements, CD covers, website headers, and more. This free font has a very cool retro-themed letter design with a condensed look and feel. You can use this free version in your personal projects. It features a set of beautiful serif letters that will fit perfectly on all kinds of print and digital designs. Velomia Vanora is a font that’s as elegant as its name. You can use it to design typography for everything from posters to banners, labels, and more. The clean and simple letter design of this font makes it a perfect option for crafting big bold titles and headings. It will make your website headers, social media posts, and packaging designs look even more attractive. This font features a beautiful and classy design with curvy serif letters. The font is free to use with personal projects. It’s especially a great choice for designs related to luxury and fashion brands. Sugardays is the perfect font for designing elegant and stylish titles for promotional designs such as posters and flyers. It features beautiful serif-style letters that are perfect for everything from logos to posters and websites. You can download this font for free to design elegant titles for your modern design projects. It comes in multiple font weights as well. This font is perfect for luxury brands and modern logo designs. Dovens – Free Modern Sans Fontĭovens is a free sans-serif font featuring a clean and modern design. 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This free serif font features a clean and trendy design suitable for various print and digital designs. The beautiful and modern aesthetic feel of this font will make any design stand out from the crowd. It comes in two different styles featuring filled and outlined designs. Beckan – Free Modern Fontīeckan is a stylish and modern font inspired by retro typography designs. The font is perfect for high-end branding designs to business cards, logo designs, and much more. It features an elegant letter design with beautiful curves. Sans Serif Fonts Decorative Fonts Classic Fonts Monospace Fonts Serif Fonts Handwritten Fonts Cotta – Free Elegant Serif FontĬotta is one of the most beautiful serif fonts on our list. ‘Trouble Don't Last Always ' is an emotional special that tackles challenging themes through powerful performances from Zendaya and Colman Domingo. This then puts forward the idea of if there's a difference in being ‘blessed' or if those people are just lucky. But this idea of there being an omniscient figure makes Rue ask Ali why her father had to die, and she goes on to ask why survivors are ‘blessed by God' and not just plain lucky. The topic of faith also comes up in Ali and Rue's conversation, and the idea of there being a form of higher power angers Rue. Not only does the conversation question what defines someone as a good person, but it also asks the question of do your actions define if you're a good person or not. When Ali discloses to Rue that he was abusive to his ex-wife and became the man he once hated (his father), he asks Rue if she still believes he is a good person, and she agrees. ‘Trouble Don't Last Always' also delves into the question of what it means to be a good person. The special directly continues on from the season 1 finale, informing viewers that after Jules (Hunter Schafer) left Rue at the train station, Rue went home and relapsed and that's how Rue and Ali came to be celebrating Christmas in a random diner in Burbank, California. The simplicity of the plot (2 people sat in a diner sharing hard truths over a plate of pancakes) makes the special incredibly captivating and makes something that could be seen as an hour of boring television, is instead a thematically rich, enthralling affair that grasps viewers' attention all the way up until the closing shot. Much like the show's first season, ‘Trouble Don't Last Always' once again shows off ‘Euphoria's perfect music choices, featuring songs from Labrinth and Moses Sumney. ‘Trouble Don't Last Always' keeps up with ‘Euphoria's consistently high-quality by featuring mesmerising cinematography from Marcell Rév and brilliant editing from Nikola Boyanov and Julio Perez IV.Īli and Rue being the main character throughout the episode allows Sam Levinson to directly focus on the consistent, powerful performances Zendaya and Colman give and the relationship between these two characters. The ‘Ma Rainey's Black Bottom' star gives a captivating performance, reprising his role of Ali, Rue's confidant and mentor. If Zendaya's performance wasn't enough, Colman Domingo's portrayal, is outstanding. What ensues is an incredibly deep, thought-provoking conversation that covers everything from sobriety, to faith, and how addicts are seen as selfish individuals, when in reality, addiction is a harrowing diseaseĭespite giving an already sensational turn in the show's first season, Zendaya's performance across the 64 minutes somehow tops her previous run as the troubled teen. This idyllic life is short lived as viewers are then transported to a diner bathroom with Rue as she wipes her nose, fixes her hoodie, and walks out to meet Ali (Colman Domingo). The episode opens with a loved-up sequence between Rue (Zendaya) and Jules (Hunter Schafer) that appears to be an insight into what could've been. Featuring knockout performances from Zendaya and Colman Domingo, ‘Trouble Don't Last Always' sets itself up as one of the best episodes of the show so far as we're shown things from Rue's (Zendaya) point of view in the first of two bridge episodes. Sam Levinson's Emmy-winning show returns for the 2020 festive season with two-hour long specials that focus on Rue (Zendaya) and Jules (Hunter Schafer) respectively after the events of the season 1 finale. Will Romeo return to the show at all? Everybody seems to have the same question on their minds, and the upcoming episode will tell us more. However, Tee Tee and Tyrann are not willing to give up on her and enlist Treach’s help in the matter. It is no easy job, especially since Egypt is acting defensively after having had a rough patch in the last couple of episodes. This season,the battle lines are drawn Sworn enemies become allies while lovers become rivals. They have to try and convince Egypt that her fight with Briana was uncalled for. Of all the people Romeo’s met on the show, he calls Bow Wow his best friend.Įlsewhere, Tee Tee and Tyrann have a task on their hands. However, Angela reveals that she was the one who invited Romeo to join the cast. When Angela finds out about his departure, she does not seem to care either way. Meanwhile, a long-held secret romance is exposed, and an old rival makes a dramatic return. A new baby is coming, but not everyone thinks it's good news. In a shocking turn of events, Romeo quits the show. The 50th anniversary of Hip Hop brings Bone Thugs-n-Harmony, Treach, and Kurupt onto one stage. After a turbulent season, Romeo finally comes to terms that he is tired of all that has been happening around him. Upon hearing what Master P and Romeo had to say about her in the last episode has not helped the situation either.īoogie also gets frustrated with Romeo and calls him out on his behavior. Angela’s position is entirely understandable since she has had a problem with Romeo throughout the season. JoJo, Twist, Vanessa, and Angela want nothing to do with Romeo’s plans. Only Boogie, Briana, and Eric show up for it. Romeo’s plan for the grand sitdown, where everybody can voice their opinions, is a gigantic failure. Growing Up Hip Hop Season 5 Episode 20 Recap: Cord cutters are undeniably on the rise, and accordingly, options are being made available to them, including DirecTV and YouTubeTV. In that case, you can head to the WeTV online platform, and stream the episodes. However, many might want to see the series but not have access to cable. If you want to watch ‘Growing Up Hip Hop,’ the easiest way to do so is on cable. The upcoming episode is titled “A Treacherous Heart.” Where to Watch Growing Up Hip Hop Season 5 Episode 21 Online? ‘Growing Up Hip Hop’ Season 5 Episode 21 is slated to release on Thursday, June 4, 2020, at 9/8C. Growing Up Hip Hop Season 5 Episode 21 Release Date: We have the rundown and information on when and where to watch the upcoming installment. The platform offers a 7-day free trial and then costs 5.99 per month plus taxes where applicable. Everybody seems to be treading on eggshells, which might make you curious about what happens in the latest episode. Urban Movie Channel, now Allblk, is another platform to watch Growing Up Hip Hop. As Romeo attempts to orchestrate a sitdown, things go sideways, and Angela reacts vehemently. They all look very similar but this is one of the rarer ones that happens to forage more on the ground.ġ20-300 120-300mm Adam Mitchell Animals APO Bags Biologist Biology bird bird photography lens birds Blog bulbul Camera Gear Clothes Desert DG equipment EX f/2.8 Field Work fieldwork fork tailed drongo game capture gear Herpetology Horned Adder HSM Kalahari Kalahari Meerkat Project KMP Landscape lens review life lillac breasted roller living Lowepro Vertex 200 AW macro Mammal Meerkat Meerkats Nature North Face Base Camp Duffel OS Photography photos pictures pied babbler Reptile research Review Robin Hoskyns Sample photos sandgrouse Science Sigma Sigma 120-300mm f/2. I often here them pecking however getting pictures is a little more difficult. There are loads of woodpeckers around as there is a lot of dead trees. They are a brood parasite of the Violet-Earred Waxbill (another cool bird that I haven’t managed to get a good picture of). I have only seen one of these and luckilly it was from my hide that I have set up by one of the cattle watering holes. I sat with my camera and waited for them to return and was lucky to catch one poking it’s head out. Very cool little bird, we had a pair nesting in a tree right next to the farmhouse. Hence, group defence seems a less likely. Last week someone spotted one flying over with the dominant male of one of our groups in its talons! such as Pied Barbets Tricholaema leucomelas and Red- headed Finches Amadina erythrocephala (CWS pers. The meerkats will run and hide in a bolt hole if one flies over or stand and bark if they see one sitting in a tree. Martial eagles are one of the main predators of the Meerkats but can also take much larger prey. The bird books say’s that “they stare furiously at intruders” and that was definitely true of this one.įrom two of the smallest birds of prey to one of the largest, these guys are huge. They use unoccupied chambers in the Sociable Weavers nests to roost in so waiting by one of the weaver’s nests will give you a good chance of seeing one.Īnother very small bird of prey, they aren’t much bigger than the pygmy falcons. The female has a chestnut back and the males have a grey back. The flight feathers are black with white spots and the tail is black with white bars. The pygmy falcon is white below and has a white face, with a grey head. These are the smallest birds of prey in Africa, they are probably a bit smaller than a blackbird. The pygmy falcon is the smallest diurnal raptor, at around 20 cm in length. Hopefully they come back when it gets warmer. There were a pair of these Bee-eaters that used to hang around the pool in the summer, picking off the dragonflies that were around. See the first post here: Birds of the Kalahari – Part 1. This post has birds that are slightly rarer or a bit more seasonal. Grey-backed Sparrowlark (Finchlark) (Eremopterix verticalis). This is a follow up to my first bird post that had some of the birds that I see on a daily basis. Acacia Pied Barbet (Tricholaema leucomelas). on this car since new and have never taken it to the dealer because of all the problems I here about Kia and there dealers. Plugs were a little worn and looked like my engine may be running a touch lean but I have seen much worse. So I decided to change the fuel filter and plugs even though neither were do to be changed as I changed them both 8,000 mile ago. Drove the car like this with the same result. So then I unbolted the catalyitic convertor thinking it was clogged and causing my problem. I then drove easy about 75 miles giving the treatment time to mix and reach my fuel system. Today I added a bottle of complete fuel system cleaner and a bottle of water remover to my fuel tank thinking I had gotten some bad gas and added 9 gallons of 93 octane from a different station where I purchased the gas before. I have no check engine light or codes to speak of. At first I thought it was a transmission problem but the RPM's do not accelerate very quickly like they did before and the muffled sound is still there when I rev the car in park or neutral. If I take off gradual the car shifts and runs fine. Gets up to around 4,000 RPM and just stays there with no gain in speed wether I'm running 30 or 60 MPH. Now it does this everytime I really get into the accelerator. So I pulled back into the lane behind the car and it seemed to continue to drive fine. As I pulled into the passing lane and hit the accelerator the car reved high and down shifted but did not gain any speed. Yesterday while driving down the highway I attemped to pass another car that was going about 45 MPH in a 55 MPH zone. I will say that this has been a very good car with only minor problems and routine maintance. I recently have encountered a problem with my 2003 Kia Spectra. In this case, the lens is a separate piece from the lamp. A notable exception is ETC’s Source Four PAR, which uses the same halogen lamp as their Source Four ERS. They possess a lens, but the lens is an integral part of the lamp housing, and its position relative to the filament cannot be altered. PAR (Parabolic Aluminized Reflector) lights resemble car headlights. (In UK: Fresnels are not spotlights, they are Fresnels.) Burning these lamps upside down will shorten lamp life significantly. Fresnel bulbs are almost always ‘base down’: mounted with the bulb up. Due to these restrictions, fresnels are most often used at middling distances for area lighting. Fresnels also lack internal shutters, and must rely on barndoors, large metal flaps that may be mounted just beyond the color slot at the front of the light. Thus fresnels are not good for tight focus on small areas. The tighter the focus (‘spotted in’) the less light is able to escape. Additionally, the degree to which the lamp may be focused is limited by the length of the housing. The reflector cannot be larger than the lens aperture, and thus all the radiated light that is neither reflected by the parabola behind the bulb or emitted directly through the lens is absorbed by the casing as waste heat. This is done by a slider on the bottom of the light, or by a worm track.įresnels are not very efficient. It is this unit that is moved back and forth inside the lamp to focus the fresnel. Due to this, the bulb and reflector cannot move independently of one another, and remain a fixed unit inside the housing. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.įresnels use a spherical reflector, with the filament of the bulb at the focus. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually ‘stippled’ on the flat side. The lens is the distinctive ‘Fresnel lens’ type, with a ‘stepped’ appearance instead of the ‘full’ or ‘smooth’ appearance of other lenses. An ERS is simply concidered a very good profile.)įresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. The shutters and gobo are ideally in focal point of this apature. The ERS improves over the efficiency of the fresnel by surrounding the bulb in an ellipsoidal reflector, with the filament of the bulb at one focus and the aperture to the lens housing at the other. The lenses are smooth and full, not stepped, and it is the lens or lenses that move in the ERS, not the bulb and reflector assembly as in the fresnel. ERS’s may have bulbs mounted axially, or with the base either up or down (it is important to hang a lamp in the proper orientation). The flexibility of the ERS allows them to fulfill the bulk of the lighting roles in the theatre, from area lighting to close specials, from long throws from the back of the house to shin kickers on the stage.ĮRS’s may have more than one focusing lens, while all possess internal shutters for cropping the emitted light, and all accept a color gel in front of the lens and a gobo in front of the shutters. They come in many forms, and are the most numerous and important instrument type in use. ETC’s Source Four has become a very popular ERS throughout the industry, and some people use the term Source Four to refer spotlights in general. These channels can be arbitrarily connected to the dimmer addresses (soft-patching), so the interface at the board remains flexible.ERS (Ellipsoidal Reflector Spotlights) are also sometimes known by their brand names, especially *Leko, short for Lekolite, the name given to them by their inventors, Joseph Levy and Edward Kook. The lighting control board uses control channels to interface with the operator. |
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